Azar Mehrabi
آذر مهرابی

Azar Mehrabi (آذر مهرابی)
  • Director
  • Producer
  • Editor
  • Cinematographer
Azar Mehrabi (آذر مهرابی) has been a Director in the following movies: Unsweet Memories (2015), Auntie Nahid (2014) and Pacific Coast (2000). A Cinematographer in the following movies: Unsweet Memories (2015) and Auntie Nahid (2014). An Editor in the following movies: Unsweet Memories (2015) and Auntie Nahid (2014). A Producer in the following movies: Unsweet Memories (2015) and Auntie Nahid (2014).
Azar Mehrabi (آذر مهرابی) has been a Director in some movies:
< ...div>Pacific Coast is about that A unique take on the Iraq war, most notably for its subject matter; we are presented with an American perspective of events. In candid interviews with U.S. veterans and their relatives, this film pieces together Iran's relationship with Iraq, as witnessed by the American soldiers who served. Boasting stunning aerial shots and crisp cinematography, this documentary is a lesson on how the mentalities of nations are perceived by outsiders. In this film Azar Mehrabi (آذر مهرابی) collaborates with Mohammad H Jafari (محمد جعفری)
Auntie Nahid is about that This fascinating documentary takes a look at a woman who makes a living from singing at religious events in Iran. These events, which cater for women only, pay extremely well, and our protagonist is able to make a tidy sum. A riveting glimpse into a hidden world, the film sheds light on female singing in Iran, which is usually forbidden. These events, however, are the exception to the rule. A must see.
Unsweet Memories is about that This incredibly candid short film focuses on the young Sharifeh, an illiterate child whose circumstances have forced her to take a position as a W.C. attendant. As director Azar Mehrabi asks her question after question, Sharifeh's smiling face belies a heartbreaking despair for the hopelessness of her situation. When Mehrabi offers her the chance to operate the camera herself however, Sharifeh's inquisitive spirit and intelligence shine through. By centering on the plight of one young girl, Mehrabi highlights concerning issues affecting contemporary Iran’s impoverished younger population.
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