Narges Abyar
نرگس آبیار‎

Narges Abyar (نرگس آبیار‎)
  • Director
  • Writer
Born in Tehran in 1972, Narges Abyar ( نرگس آبیار‎ ) holds a B.A. in Persian Literature. So far she has devoted most of her time to writing, which had led to the publication of 30 ficition books for children, teenagers and adults. She has also made several short and documentary fi l m s i n c l u d i n g , K I N D D E A D E N D (Fiction-15min-2006), ONE DAY AFTER THE 10TH DAY(Documentary-25min-2007), MAMA MARYAM(Documentary-40 min-2009), NASUR(Fiction-15min-2009), MY STORY IS ... NOT A CROW(Documentary- 40 min-2011), SILENT SCREAM (Documentary-42min-2012),BLACKPEAR(Documentary-40min-2012), OBJECTS IN MIRROR ARE CLOSER THAN THEY APPEAR(Feature - 2013), TRACK 143 (Feature - 2014), BREATH (Feature, 2016)
Narges Abyar (نرگس آبیار‎) has been a Director in some movies:
Track 143 is about that 'Track 143’ is a screen adaptation of Abyar’s novel titled ‘The Third Eye’ that narrates the story of a woman during the 1980-1988 Iraq-Iran war waiting for her Iranian war soldier son to return... In this film Narges Abyar (نرگس آبیار‎) collaborates with Mehran Ahmadi (مهران احمدی), Javad Ezati (جواد عزتی), Merila Zarei (مریلا زارعی), Peyman Khaksar (پیمان خاکسار), Masoud Sekhavatdoost (مسعود سخاوت دوست), Mohammad Hossein Ghasemi (محمد حسین قاسمی), Abouzar Pourmohammadi (ابوذر پورمحمدی), Gelareh Abbasi (گلاره عباسی), Hessam Bigdeloo (حسام بیگدلو), Yadollah Shadmani (یدالله شادمانی), Kamyab Amin Ashayeri (کامیاب امین عشایری), Saman Majd Vafaei (سامان مجدوفایی), Peyman Shadmanfar (پیمان شادمانفر), Kamran Kiyan Ersi (کامران کیان ارثی), Soodabe Khosravi (سودابه خسروی)
Night of the Full Moon is about that In the market Abdolhamid meets Faezeh and falls in love with her. They get marry and begin their life. But after a while Faezeh becomes aware of Abdolhamid's family in Sistan and Baluchestan province and that they are doing illegals. Faezeh decides to escape with her husband to Pakistan but there they meet Abdolhamid's brother Abdolmalek Rigi who is a terrorist. In this film Narges Abyar (نرگس آبیار‎) collaborates with Elnaz Shakerdoost (الناز شاکردوست), Shabnam Moghadami (شبنم مقدمی), Fereshteh Sadre Orafaee (فرشته صدرعرفایی), Masoud Sekhavatdoost (مسعود سخاوت دوست), Mehdi Salehi Kermani (مهدی صالحی کرمانی), Mohammad Hossein Ghasemi (محمد حسین قاسمی), Hamid Najafirad (حمید نجفی‌راد), Iman Omidvari (ایمان امیدواری), Mohammad Reza Shojaee (محمدرضا شجاعی), Pedram Sharifi (پدرام شریفی), Hootan Shakiba (هوتن شکیبا), Banipal Shoomoon (بانیپال شومون), Arash Ghasemi (آرش قاسمی), Farid Sajjadi Hosseini (فرید سجادی حسینی), Saman Lotfian (سامان لطفیان), Amin Miri (امین میری), Armin Rahimian (آرمین رحیمیان), Morteza Esfehani (مرتضی اصفهانی), Omid Salehi (امید صالحی)
Breath is about that From the brilliantly multi-talented Narges Abyar comes her third feature film ‘Breath’, a bittersweet family drama set against the backdrop of the Iranian revolution and the ensuing Iran-Iraq war. Adapted from one of her own novels featuring the same title, the film takes place in several rural suburban areas in the Karaj region and centres around a working class family, more specifically the young daughter Bahar. Through the wandering of the daydreaming Bahar we experience Iran in the late 70s and early 80s and the heartbreaking impact the Sacred Defense, as the war is referred to in Iran, has on her family. 'Breath' won the Best Picture Golden Simorgh and Best Supporting Actress Silver Simorgh at the 34th Fajr Film Festival. In this film Narges Abyar (نرگس آبیار‎) collaborates with Shabnam Moghadami (شبنم مقدمی), Mehran Ahmadi (مهران احمدی), Jamshid Hashempour (جمشید هاشم پور), Abbas Rastegarpour (عباس رستگار پور), Saed Nikzat (ساعد نیک ذات), Mehrdad Mirkiani (مهرداد میرکیانی), Masoud Sekhavatdoost (مسعود سخاوت دوست), Mohammad Hossein Ghasemi (محمد حسین قاسمی), Abouzar Pourmohammadi (ابوذر پورمحمدی), Gelareh Abbasi (گلاره عباسی), Sajjad Pahlevanzadeh (سجاد پهلوان زاده), Pantea Panahiha (پانته‌آ پناهی‌ها), Asghar Nejad-Imani (اصغر نژادایمانی), Mohammad Reza Shirkhanlou (محمد رضا شیرخانلو), Saghi Zinati (ساقی زینتی), Siamak Abbadizadeh (سیامک عبادی زاده), Sareh Nour Mousavi (ساره نور موسوی), Atieh Javid (آتیه جاوید)
Objects In Mirror Are Closer Than They Appear is about that An intimate drama following the story of Leila, a wife and mother. Expecting her third child and living in a small apartment in Tehran, she divides her time cooking, cleaning and caring for her children. After breaking a plate following a party with neighbors, Leila must search the city to find a replacement and save face with her family. This character study steadily reveals the hopes and desires of a woman unable to achieve her true potential within the confines of her impoverished background. In this film Narges Abyar (نرگس آبیار‎) collaborates with Mehran Rajabi (مهران رجبی), Peyman Khaksar (پیمان خاکسار), Mohammad Hossein Ghasemi (محمد حسین قاسمی), Abouzar Pourmohammadi (ابوذر پورمحمدی), Gelareh Abbasi (گلاره عباسی), Hessam Bigdeloo (حسام بیگدلو), Ramsin Kebriti (رامسین کبریتی), Amir Ghaffar Manesh (امیر غفارمنش), Masih Seraj (مسیح سراج), Shora Karimi (شورا کریمی), Nazanin Babaei (نازنین بابایی), Giti Moeini (گیتی معینی), Fatemeh Shokri (فاطمه شکری), Mina Noroozi (مینا نوروزی), Saghi Zinati (ساقی زینتی), Atena Bokharaei (آتنا بخارائی), Hashem Faghani (هاشم فقانی), Jafar Mohammadshahi (جعفر محمدشاهی)
Without Time is about that The film tells the story of a woman on the outskirts of the city who lives with her husband and child, but the story of their lives changes. In this film Narges Abyar (نرگس آبیار‎) collaborates with Bahram Radan (بهرام رادان), Elnaz Shakerdoost (الناز شاکردوست), Mehran Ahmadi (مهران احمدی), Masoud Sekhavatdoost (مسعود سخاوت دوست), Mohammad Hossein Ghasemi (محمد حسین قاسمی), Gelareh Abbasi (گلاره عباسی), Hamid Najafirad (حمید نجفی‌راد), Iman Omidvari (ایمان امیدواری), Mohammad Reza Shojaee (محمدرضا شجاعی), Shadi Karamroudi (شادی کرم رودی), Hootan Shakiba (هوتن شکیبا), Giti Moeini (گیتی معینی), Parisa Karzian (پریسا کرزیان)
Savushun is about that Sovshun's story takes place in Shiraz during the last years of World War II and depicts the social atmosphere of the years 1942 to 1947. In this film Narges Abyar (نرگس آبیار‎) collaborates with Mohammad Hossein Ghasemi (محمد حسین قاسمی)
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