Ahmad Pejman ( احمد پژمان ) is a musician and a classical composer born in 1937Ahmad Pejman has been a Music in some movies:
Kimia is about that In the 1980s, Reza finds his beloved Iran engulfed by war with Iraq. Though he has a child on the way, he decides to do his duty and join in the fight to defend his country. While he is away, his wife dies in childbirth, and Reza himself is captured as a prisoner of war. A woman named Shokooh finds the child, now ostensibly an orphan, and raises her as
... her own. Years later, Reza returns home determined to find his daughter and take up the mantle of the father she has never known. In this film Ahmad Pejman collaborates with Bita Farahi, Khosrow Shakibai, Reza Kianian, Mahmoud Kalari, Haroun Yashayaei, Ahmad Reza Darvish, Jahangir Mirshekari, Abbas Ganjavi, Abdollah Eskandari, Mahmoud Reza Sani, Zohreh Safavi, Behrouz Moavenian, Rahman Moghaddam, Asghar Shahverdi, Nader Rajab Pour, Zahra Oveisi, Seyed Abbas Mousavi, Parisa shahandeh, Foad Najafzadeh.
The Willow Tree is about that What if a man blind since birth was suddenly given the gift of sight? This is the central premise of this beautiful, gripping drama from Majid Majidi. When the middle aged Youssef, a blind university professor, is given the chance to undergo major eye surgery in France, he finds his prayers answered. Leaving behind his loving wife and daughter, he finds a new lease of life in his new visual world. However, will he lose sight of what is important? A hauntingly beautiful, poignant piece of work. In this film Ahmad Pejman collaborates with Parviz Parastui, Roya Teymourian, Sharareh Dolat Abadi, Afarin Obeisi, Mahmoud Kalari, Leila Otadi, Majid Majidi, Mahmoud Behraznia, Yadollah Najafi, Mohammad Reza Delpak, Hashem Attar, Hassan Hassandoust, Melika Aslani, Bahram Badakhshani, Behzad Kazzazi, Hossein Bashash, Mohsen Mossavi, Seyyed Saeed Seyedzadeh, Dawlat Asadi, Melika Eslafi, Ahmad Gavaheri, Fouad Nahas, Nasser Hashemzadeh.
Images from the Ghajar Dynasty is about that A documentary report on paintings, photographs and the first cinematography images in Iran, which belongs to 90 years ago. In this film Ahmad Pejman collaborates with Mohsen Makhmalbaf.
Baran is about that In Iran, when the illegal Afghan worker Najaf (Gholam Ali Bakhshi) breaks his foot in an accident in a construction of a building, his fragile son Rahmat becomes his replacement. The master Memar (Mohammad Amir Naji) makes Rahmat responsible for feeding the worker, and Lateef becomes jealous of Rahmat, and treats him cruely. However, when Lateef finds that Rahmar is indeed a girl called Baran (Zahra Bahrami), he falls in love for her and spends all his savings and gives his best efforts to protect her family and her. In this film Ahmad Pejman collaborates with Majid Majidi, Mahmoud Behraznia, Yadollah Najafi, Mohammad Reza Delpak, Parvin Safari, Mohammad Davudi, Hassan Hassandoust, Hossein Abedini, Hossein Mahjoob, Behzad Kazzazi, Mohsen Mossavi, Fouad Nahas, Afarin Sadeghi, Jahanjou Jafari, Mohammad Amir Naji, Zahra Bahrami, Gholam Ali Bakhshi, Jafar Tavakoli, Malek Jahan Khazaee, Hafez Ahmadi.
A House on Water is about that Dr. Sepidbakht runs over an angel one night while driving, and his fingers are deeply wounded after touching the angel. The next day at the hospital, the nurse informs him that a young unconscious boy has been brought to their ward by mistake. Dr. Sepidbakht has an encounter with Ms. Taleghani, one of his old colleagues with whom he used to have a romantic affair. Ms. Taleghani, who had left the hospital for a cancer treatment, complains about Dr. Sepidbakht's behavior. He confesses that he has felt weird after seeing the boy who knows the entire Quran by heart. His secretary, Jaleh, also complains to him about their past involvement and that she can never bear a child but he ignores her. He goes to visit his father at the retirement home and a sad conflict happens between them... Dr. Sepedbakht informs his secretary that the passengers of a white Peykan have been following him for a while and he asks her for an address to have a burglar alarm installed. His son, Mani, who has been living abroad for 15 years, comes back to Tehran, but gets arrested at the airport for carrying drugs. Dr. Sepidbakht manages to bail him out but at midnight he realizes that his son is injecting himself with drugs. He decides to take him to clinic to quit but Mani escapes the clinic. While searching for his son, he accidentally sees Jaleh's father and finds out that she has not been in contact with them for a long time, and is living alone. Jaleh is in contact with Dr. Sepidbakht's pursuers and sends them to the person who installed his alarm and get the code from him. At the hospital, the doctor sees a colored string and follows it to the young boy's room. The boy wakes up and asks Sepidbakht to take him away. At the house, the boy confesses that he first started to read Quran to attract others' attention but then he started to enjoy it and memorized all of it out of passion. However, when his parents started taking him to different places and showing him off, he got scared and passed out. During the night, the doctor wakes up from the sound of the alarm and sees some people dressed in black. He hides the boy in the closet and goes downstairs, but is attacked and killed by the intruders. The boy approaches him, takes his head in his hands and says: "I am with you." In this film Ahmad Pejman collaborates with Bita Farahi, Ezzatolah Entezami, Hediyeh Tehrani, Jamshid Mashayekhi, Mehran Rajabi, Reza Kianian, Roya Nonahali, Behnaz Jafari, Mohsen Ghazi Moradi, Mahmoud Kalari, Bahman Farmanara, Shabnam Tolouei, Hossein Kasbian, Parviz Abnar, Abbas Ganjavi, Farzam Manteghi, Jalal Moayerian, Zhila Mehrjui, Amir Ghaffar Manesh, Mitra Mahaseni.
Smell of Camphor, Fragrance of Jasmine is about that Death surrounds Bahman, a director who hasn't made a film in 24 years (he can't get past the censors). He's working on a documentary, for Japanese TV, on Iranian burial practices. On the anniversary of his wife's death, a hitchhiker tells him a story of spousal abuse and infant mortality, he discovers that someone has been buried in his plot next to his wife, and he needs the help of his attorney, a well-connected fixer. He dreams of death, even as he investigates it for his film. His niece's husband, a well-known writer, fails to return home; he searches hospitals for an unclaimed body. His heart disease is flaring up. Is he prepared for death? Is that all that's left? In this film Ahmad Pejman collaborates with Atefeh Razavi, Reza Kianian, Roya Nonahali, Parivash Nazarieh, Firouz Behjat-Mohamadi, Mahmoud Kalari, Asadollah Yekta, Asghar Bichareh, Dariush Asadzadeh, Bahman Farmanara, Morteza Shayesteh, Hossein Kasbian, Ebrahim Abadi, Parviz Abnar, Abbas Ganjavi, Hossein Abolsedgh, Mahtaj Nojoomi, Vali Shirandami, Zhila Mehrjui, Ali Nikraftar, Fazlollah YousefPour, Mohammad Reza Zahed Shekarabi.
A Little Kiss is about that A writer comes back to Iran after a long time to visit his -also- writer friend. They travel around to a few places in Iran... In this film Ahmad Pejman collaborates with Ahmad Saatchian, Fatemeh Motamed Aria, Hediyeh Tehrani, Jamshid Mashayekhi, Payam Dehkordi, Reza Kianian, Babak Hamidian, Jamshid Hashempour, Mahmoud Kalari, Hedayat Hashemi, Bahman Farmanara, Hossein Kasbian, Abbas Ganjavi, Mohammad Reza Delpak, Farzam Manteghi, Mehrdad Mirkiani, Maryam Saadat, Fakhri Khorvash, Houshang Harirchian, Hassan Farsi, Alireza Shoja Noori.
Other films are:
Tall Shadows of the Wind, Pars Sea, Zinat, Journey to Tomorrow, The Lost Love, The Actor, Made in Iran, Prince Ehtejab
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