Keivan Saket
کیوان ساکت

Keivan Saket (کیوان ساکت)
  • Actor
Keivan Saket ( کیوان ساکت ) born in 1961, is an Iranian musician and composer.
Keivan Saket (کیوان ساکت) has been a Actor in some movies:
Whispers Behind the Battle Line is about that Set during the Iran-Iraq war, this remarkable play focuses on one central event. In the midst of the Khuzestan province during the month of Ramadan, the Iranian and I ...raqi sides put aside their weapons and form an amicable, if somewhat unexpected, truce. The whole play is staged during one night, when a truce forms between the Iranians and Iraqis during the month of Ramadan. As the soldiers joke, argue, and discuss politics, we can't help but wonder what will become of them in the future. A philosophical look at the role of the individual in the face of war. In this film Keivan Saket (کیوان ساکت) collaborates with Ali Asghar Shahbazi (علی‌اصغر شهبازی), Alireza Naderi (علیرضا نادری), Navid Mohammadzadeh (نوید محمدزاده), Mahdi Farizeh (مهدی فریضه), Ashkan Kheilnezhad (اشکان خیل‌نژاد), Tazeh Theater Group (گروه تئاتر تازه), Hamid Rahimi (حمید رحیمی), Sina Balahang (سینا بلاهنگ), Amir Ahmad Ghazvini (امیراحمد قزوینی), Mohammad Hadi Ataei (محمدهادی عطایی), Mohammad Ashkanfar (محمد اشکان فر)
Whose Life Is It Anyway? is about that After a car accident, sculptor Ken Harrison becomes a quadriplegic and is no longer able to create art, make love or have any semblance of a normal existence. He hires a lawyer who, reluctantly at first, represents Harrison to petition legally for the right to end his life, while knowing that he is trying to win his client a death sentence. Staunchly opposed to euthanasia is a by-the-book hospital administrator, who is determined to keep his patient alive even against his wishes, and sympathetic doctor, who develops personal feelings for Harrison. She wants to keep him alive, even though Harrison's girlfriend has accepted his decision. A young orderly (Thomas Carter) and nurse (Kaki Hunter) do what they can to keep Harrison's spirits up, even wheeling him to a hospital basement where they treat him to reggae music and marijuana. In the end, though, it is up to a judge (Kenneth McMillan) whether the patient has a moral, ethical and legal right to choose to die. In this film Keivan Saket (کیوان ساکت) collaborates with Azadeh Samadi (آزاده صمدی‎), Houman Kiaei (هومن کیایی), Navid Mohammadzadeh (نوید محمدزاده), Ashkan Kheilnezhad (اشکان خیل‌نژاد), Tazeh Theater Group (گروه تئاتر تازه), Hamid Rahimi (حمید رحیمی), Sina Balahang (سینا بلاهنگ), Mohammad Hadi Ataei (محمدهادی عطایی), Mohammad Ashkanfar (محمد اشکان فر), Neda Golrangi (ندا گلرنگی), Elaheh Shah Parast (الهه شه پرست), Mina Karimi Jebeli (مینا کریمی جبلی), Shahabodin Hosseinpour - (شهاب‌الدین حسین‌پور), Brian Clark (برایان کلارک), Mohammad Gholami (محمد غلامی), Maryam Nourmohammadi (مریم نورمحمدی), Mohammad Tabakhiyan (محمد طباخیان)
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